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Dr Stefano Milonia

SM

WIRL-COFUND Fellow 2019-2021

As a Romance philologist, my main interests are medieval European lyric, manuscript studies, music, and digital humanities.

I graduated with a degree in Romance philology at Sapienza Universit횪 di Roma, specializing in Old French and Old Occitan language and literature, with a comparative and interdisciplinary approach. I obtained my joint Doctorate degree in Scienze del Testo from Sapienza and PSL - 횋cole Pratique des Hautes 횋tudes in Paris with a dissertation dedicated to the critical edition of the songs with music of the troubadour Peirol.

In 2016 I was an Ing챕nieur d'챕tudes for the CNRS in Toulouse II - Jean Jaur챔s where I worked on the digital edition of the music of manuscript BnF fr. 22543; in 2018-2019 I was a visiting scholar at the University of Cambridge.

Areas of Research

  • Old French and Occitan
  • Medieval Italian Literature
  • Ecdotics, Textual Criticism, Manuscript Studies
  • Medieval Music
  • Digital Humanities
  • 21st Century Poetry

Selected Publications

Monograph

  • Rima e melodia nell��셙rte allusiva dei trovatori (Roma: Nuova Cultura - Dipartimento di Studi Europei, Americani e Interculturali, 2016).

Refereed Articles

  • ��쁔he Castaway and the Soothsayer: Traces of the Old Testament in the Prehistory of the Tristan En Prose���, Medium 횈vum, 90/2, 2021, pp. 275-299.

  • ��샕� La chanson un peu particuli챔re de Richard C흹ur de Lion 쨩. L'enjeu de la musique dans la d챕finition du genre de la "rotrouenge"���, Textus & Musica, 2, 2020.
  • ��쁂avalli Cavalcanti. Il medioevo ritrovato nella poesia di Giulia Martini���, Polisemie: Rivista di poesia iper-contemporanea, I, 2020, pp. 3-21.
  • ��쁏eirol, Coras que쨌m fezes doler (BdT 366.9)���, Lecturae tropatorum, 12, 2019, pp. 159-189.
  • [with Elisa Verzilli] ��쁔radizione testuale e tradizione musicale nelle liriche del Castellano di Coucy���, in Ch. Chaillou-Amadieu, O. Floquet, M. Grimaldi (dir.), Philologie et musicologie. Des sources 횪 l��셢nterpr챕tation po챕tico-musicale (XIIe-XVIe 끅쓩챔낌깜깎) (Paris: Garnier, 2019), pp. 81-112.
  • ��쁏eirol. Primi passi verso una nuova edizione critica���, in Antonelli, Roberto / Videsott, Paul / Glessgen, Martin, 2018, Atti del XXVIII Congresso internazionale di linguistica e filologia romanza (Roma, 18-23 luglio 2016) (Strasbourg: Biblioth챔que de Linguistique Romane, 2018), pp. 1176-1787.
  • ��쁒iccardo Cuor di Leone, Ja nuns hons pris ne dira sa raison. Una proposta di edizione critica���, Critica del Testo, XX/2, 2017, pp. 243-300.
  • ��샕첰u se��� morto쨩. Riflessione sulle condizioni di esistenza dell��섾o nella Commedia���, Strumenti Critici, XXXI/3 (n. 142), 2016, pp. 241-268.

Participation in Projects

(91르적, Principal Investigator)

(Principal Investigator)

(Sapienza Universit횪 di Roma, Responsible for the sections 'Troubadours' and 'Music')

(91르적 Press, co-founder and director)

TMAO: Tr챕sor Manuscrit de l'Ancien Occitan (CNRS, Toulouse II - Jean Jaur챔s)

Conference and Seminar Organization

January-May 2021 (International online conference, Co-convener)

(Co-convener)

(Sapienza Universit횪 di Roma, co-convener)

Outreach

(Sapienza Universit횪 di Roma 24 May 2019, Project director)

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