Postgraduate "Work In Progress" Seminar
Postgraduate Work-In-Progress SeminarA weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub. OverviewThe WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.
Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc. Useful InfoThe WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.
Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process. Should you present?Are you a postgraduate? Then yes, you should present. |
NEXT TALKRozemin Keshvani (PhD) Kant Thursday 25/06/2026 5pm - 6:15pm S1.50 ORGANISERS |
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Post-Kantian European Philosophy Research Seminar Series
Guest Speaker: Maudemarie Clark (University of California, Riverside)
Title: 'Does Nietzsche Overcome The Birth of Tragedy's Nihilistic View of Tragedy in His Later Work?'
Abstract: Our topic is the relationship between the account of tragedy we find in Nietzsche’s first book and his later view of that artistic genre. Aaron Ridley has argued powerfully that Nietzsche’s later view does not overcome the problems that afflict his earlier account. We agree completely with Ridley and we [Clark] have previously argued that Nietzsche’s original account of tragedy is a failure, that it fails to do what he was attempting to do. But we will argue contra Ridley that Nietzsche does overcome his early (and nihilistic) view of tragedy in his later work. The plan is to explain what we take to be the aim of The Birth of Tragedy and why we take it to be a failure. We will then look at Ridley’s argument for reading Nietzsche’s later view of tragedy in Twilight of the Idols as exhibiting the same failure, and explain our reasons for rejecting that account. These reasons will then lead us, indeed force us, to say something about Nietzsche’s later view of art more generally.
The session will be held online.