91¸£Àû

Skip to main content Skip to navigation

Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub.


Overview

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: Presentation + Q&A

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


Useful Info

The WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.

  • Presentation: 30 minutes
  • Open Discussion / Q&A: 40 minutes
  • Material: Work in progress (essay drafts, thesis sections, a substantial set of notes, ... ).
  • Style: Flexible. Slides, handouts, or neither.
  • Audience: No prior reading or background knowledge expected. All are encouraged to attend and present (including visiting postgraduates).

Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process.


Should you present?

Are you a postgraduate? Then yes, you should present.

 
NEXT TALK

Rozemin Keshvani

(PhD)

Kant


Thursday 25/06/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

Show all calendar items

Postgraduate Work in Progress Seminar

- Export as iCalendar
Location: MS Teams

This week, the seminar will discuss Giulia Lorenzi's paper How to Make Sense of Different Musical Perceptual Experiences: a New Philosophical Proposal. Guilia will be interviewed by Johannes Roessler

 Abstract:

The common-sense intuitive idea that a musician with extended musical knowledge can perceive music in a different way than a naïve listener seems both appealing and problematic. Indeed, given the standard understanding of perception in the philosophical realm as the theory-neutral apprehension of information, it is not clear how musical knowledge can inform and enhance perception of music. In this paper, I suggest that we need to rethink how we characterise auditory perception to make sense of different musical perceptual experiences. Following O’Shaughnessy (2000) and Crowther (2009), I introduce the distinction between listening and hearing. I then show how considering listening as an action makes possible to explain two different components at play in musical training and music perception: a mere perceptual one and a theoretic-perceptual other. I finally show, how the attempts previously made in philosophy to characterise this experience fails to explain some crucial aspects of this case.

Show all calendar items

Let us know you agree to cookies