Postgraduate "Work In Progress" Seminar
Postgraduate Work-In-Progress SeminarA weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub. OverviewThe WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.
Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc. Useful InfoThe WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.
Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process. Should you present?Are you a postgraduate? Then yes, you should present. |
NEXT TALKRozemin Keshvani (PhD) Kant Thursday 25/06/2026 5pm - 6:15pm S1.50 ORGANISERS |
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PG Work in Progress Seminar
Chris Earley, 'Adrian Piper's Epistemic Activism'.
Abstract
Political art often engages in epistemic activism, attempting to change its audiences’ cognitive standing on a topic of political import. In this presentation, I will focus on one instance of epistemic activism in art: Adrian Piper’s installationFour Intruders plus Alarm Systems (1980). Piper’s work is both an exemplary work of epistemic activism, but also reveals the tensions between the epistemic exceptions artists experiment with and the normative demands placed on productive political activity. In Piper’s case, this tension led to an inability to change some of her audience’s cognitive standing. I propose two ways to respond to such tension: conciliation, which proposes that activist artists have distinct reasons to fit their work to their audience’s normative expectations, and steadfastness, which proposes that activist artists have distinct reasons to challenge and provoke their audiences, even if they open themselves up to failure. I claim that steadfastness better captures political art’s humility regarding success and allows us to more clearly account for the riskiness that is necessary for productive experimentation in political life.