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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub.


Overview

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: Presentation + Q&A

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


Useful Info

The WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.

  • Presentation: 30 minutes
  • Open Discussion / Q&A: 40 minutes
  • Material: Work in progress (essay drafts, thesis sections, a substantial set of notes, ... ).
  • Style: Flexible. Slides, handouts, or neither.
  • Audience: No prior reading or background knowledge expected. All are encouraged to attend and present (including visiting postgraduates).

Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process.


Should you present?

Are you a postgraduate? Then yes, you should present.

 
NEXT TALK

Rozemin Keshvani

(PhD)

Kant


Thursday 25/06/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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Postgraduate Work in Progress Seminar

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Location: MS Teams

This session marks the last WiP seminar of Term 2. We will be looking at a paper from PhD student Jonathan Clarke-West. The abstract for Jonathan’s paper is below. We look forward to seeing you there!

 Imagination in Proust’s A La Recherche du Temps Perdu

 This paper introduces my thesis before staging the first chapter. It addresses the requirement to study the role of imagination in Recherche before drawing out examples of its operation from Recherche. It outlines three categories by which I understand imagination to operate within the novel: firstly, its operation as a faculty; secondly, its role in the context of artistic production; finally, its articulation in the presentation of society. It then moves to consider the presentation of imagination as a faculty in the novel – the imagination. It looks at the positions held by different commentators – who mostly centre upon the ampliative powers acquired once imagination and sense conspire. It elects to focus upon the operation of imagination articulated by the phenomena of Proustian sensation and involuntary memory. Deleuze’s reading of Kant’s Sublime grants a point of entry to this operation. The similarities enable the claim to be made that Proust articulates a literary analytic of the encounter in these phenomena.

 

Please contact Johan Heemskerk for further information (j.heemskerk@warwick.ac.uk)

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