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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub.


Overview

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: Presentation + Q&A

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


Useful Info

The WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.

  • Presentation: 30 minutes
  • Open Discussion / Q&A: 40 minutes
  • Material: Work in progress (essay drafts, thesis sections, a substantial set of notes, ... ).
  • Style: Flexible. Slides, handouts, or neither.
  • Audience: No prior reading or background knowledge expected. All are encouraged to attend and present (including visiting postgraduates).

Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process.


Should you present?

Are you a postgraduate? Then yes, you should present.

 
NEXT TALK

Rozemin Keshvani

(PhD)

Kant


Thursday 25/06/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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Postgraduate Work in Progress Seminar: Maria Giovanna Corrado

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Title: 'A Puzzle 91¸£Àû the Nature of Auditory Perceptual Experience'

ABSTRACT:

We commonsensically take it that one of the functions of perception is to enable one to enter in cognitive contact with a variety of elements populating one’s environment, including events in which ordinary material objects participate. The case of auditory perception poses a unique challenge to accommodate this function. A set of phenomenological considerations, which seem to suggest that we undergo acousmatic experiences of sounds divorced from the material events that might count as their sources, raises the question as to how awareness of sounds enables cognitive contact with ordinary material objects in the world. One approach to addressing this question, found in the literature, is to define the ontological relation between sounds and events in which ordinary material objects participate and, consequently, to derive an account of the content of auditory perceptual experience. In this talk, I will put forward a different reading of the question which is not satisfied by this approach. I will argue that there is a puzzle about the nature of auditory perceptual experience which purports to show that sounds sufficiently determine the auditory perceptual experiences we undergo and exclude events in which objects participate from playing a role. After providing some motivation for the puzzle and addressing some worries, I will conclude by pointing to the direction of my solution to the puzzle.

 

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