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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub.


Overview

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: Presentation + Q&A

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


Useful Info

The WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.

  • Presentation: 30 minutes
  • Open Discussion / Q&A: 40 minutes
  • Material: Work in progress (essay drafts, thesis sections, a substantial set of notes, ... ).
  • Style: Flexible. Slides, handouts, or neither.
  • Audience: No prior reading or background knowledge expected. All are encouraged to attend and present (including visiting postgraduates).

Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process.


Should you present?

Are you a postgraduate? Then yes, you should present.

 
NEXT TALK

Rozemin Keshvani

(PhD)

Kant


Thursday 25/06/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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PG Work in Progress Seminar

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Location: S2.77/MS Teams

This week's PG WiP Seminar will be led by Giulia Lorenzini (PhD)

 

Title: "On the Distinctiveness of Listening to Music"

Thursday March 9th 2023

5pm in S2.77 and on .

 Everyone welcome!

 Abstract:

In philosophy of auditory perception, taxonomic works, such as O’Callaghan (2021) and O’Callaghan & Nudds (2009), consider the perception of music as a distinctive case. Yet, the current literature on the matter does not furnish a standardised and generally accepted reason for which this should be the case. In this talk, I consider two possible ways to go to reply to the question regarding the distinctiveness of perceiving music. I start presenting what I call here “the Naturalistic View”, based on Budd (2008) and DiBona’s (2022) works. I then show how this view provides some insights on necessary, yet, not sufficient mechanisms, at play in the experience of perceiving music. I proceed considering Scruton’s account of the experience of music, to which I refer here as “the Metaphorical View”. After presenting some wide-spread criticisms to this view, I discuss the case of enculturated and unenculturated listeners to highlight a core, interesting element present in Scruton’s proposal which I consider worth saving.  

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