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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub.


Overview

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: Presentation + Q&A

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


Useful Info

The WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.

  • Presentation: 30 minutes
  • Open Discussion / Q&A: 30 minutes
  • Material: Work in progress (essay drafts, thesis sections, a substantial set of notes, ... ).
  • Style: Flexible. Slides, handouts, or neither.
  • Audience: No prior reading or background knowledge expected. All are encouraged to attend and present (including visiting postgraduates).

Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process.


Should you present?

Are you a postgraduate? Then yes, you should present.

 
NEXT TALK

Ben Long

(PhD)

Scepticism


Thursday 04/06/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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PG WiP Seminar

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John Hundley will present "No Time As Now: Temporality and Trauma in W.G. Sebald's Austerlitz". Everyone welcome!

The current schedule for the WiP for Term 1 can be found on the departmental website . There are still spots available if you would like to present - please email me (Chris.Hall.1@warwick.ac.uk) if you are interested in doing so.

 

Abstract

 

The German writer W.G. Sebald published what would be his final novel, Austerlitz, in late 2001, a mere three months before his death. A flurry of scholarship then and since has investigated the novel’s preoccupation with melancholy, intertextuality, and parataxis. The theme of time, however, has escaped much critical attention. Drawing on the work of T.W. Adorno and Jean Améry, I contend that Austerlitz supplies a critique of linear time through the perspective of survivor experience. Sebald describes a form of temporal experience that is ‘beyond’ or ‘outside’ [´¡³Üß±ð°ù-»å±ð°ù-´Ü±ð¾±³Ù-³§±ð¾±²Ô] of linear, flowing time. Sebald presents this as the outcome of a trauma that is both social and historical in origin: the unnameable totality of the Holocaust across Europe. Given the ongoing violence across the globe today, this analysis finally suggests that we have not yet come to terms with the trauma of history.

Teams Link

 

Join via Microsoft Teams using . Note: audio is normally muted until 1705 when the presentation starts.

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