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Postgraduate "Work In Progress" Seminar

Postgraduate Work-In-Progress Seminar

A weekly seminar for Philosophy postgraduates to present their in-progress work, followed by a well-spirited trip to the pub.


Overview

The WIP provides a risk-free and supportive space for postgraduates to present their work and receive feedback from other graduates and faculty.

  • When: Every Thursday (5pm to 6:15pm)
  • Where: Room S1.50 (Social Sciences Building, First Floor)
  • What: Presentation + Q&A

Attendance optional but highly recommended. All postgraduates are welcome to present or attend -- whether MA, MPhil, PhD, Visitors, etc.


Useful Info

The WIP is a unique opportunity for graduates to develop their presenting and writing skills, take risks, test out ideas, and receive constructive feedback from peers.

  • Presentation: 30 minutes
  • Open Discussion / Q&A: 30 minutes
  • Material: Work in progress (essay drafts, thesis sections, a substantial set of notes, ... ).
  • Style: Flexible. Slides, handouts, or neither.
  • Audience: No prior reading or background knowledge expected. All are encouraged to attend and present (including visiting postgraduates).

Presentations need not be watertight or polished pieces at all. You are encouraged to present work at all stages of the writing process.


Should you present?

Are you a postgraduate? Then yes, you should present.

 
NEXT TALK

Ben Long

(PhD)

Scepticism


Thursday 04/06/2026

5pm - 6:15pm

S1.50


ORGANISERS

Tiago Rodrigues

Lucas Menezes 

   

 

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CRPLA Seminar - Curie Virag (91¸£Àû): 'Landscape and Longing: On the Perils of Gazing from a Height in Traditional China'

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Location: S0.11 and on Teams

Abstract: A familiar trope in the Chinese literary tradition is that of climbing to a height, gazing out, and experiencing an outpouring of sadness, longing, and nostalgia. The earliest traces of this trope can be found in the Songs of Chu, a poetry anthology dating from around the 3rd century BCE, and it would remain a recurring theme in poetic writings thereafter. This theme of sadness evoked by gazing from a height has been explained psychologically, as a variation on the theme of unfulfilled yearning (sehnsucht) found in German Romanticism, or else as a symptom of the particularities of the traditional Chinese textual imagination. But it also bears examination as an aspect of the complex unfolding of other histories, including those of spatial organisation, cognition, and power. In my talk I will discuss how these histories were interwoven, drawing some conclusions about what the emotions bound up with seeing – and with failing to see – might reveal about the contentious domain of visual and epistemic authority in traditional China. Teams

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